金門是一個處於衝突的地方。除了地理、國家上的因素外，從金門的城鎮排列模式中可以觀察到，東岸由於早期海盜猖獗以及容易刮海風等因素，以有機的、曲折的方式排列，對比出西岸較為新的城鎮已經改為棋盤狀設計。從閩式建築隨地取材所產生的複雜性到近代建築以水泥鋼筋的簡單樣式，這座島嶼上的景觀保存了近代人類思想變化的痕跡。

這次策展試圖使用對比手法進行描述，以探索人與自然的衝突作為起點，將金門的海鹽及土壤做為主要媒材，兩位藝術家以各兩件作品來描述駐縣期間各自對於生態環境的探索脈絡與想法，並在作品的理念交匯處中探索平衡的可能性。

Quemoy is a site of conflict. Its town layout reflects historical factors: the eastern coast, shaped by piracy and sea winds, features organic, winding streets, while the newer western towns follow a grid design. The blend of traditional Fujian-style architecture and modern concrete buildings showcases changes in human thought.

This curation uses contrasts to explore the conflict between humans and nature, utilizing Quemoy’s sea salt and soil as primary materials. Two artists present works that reflect their ecological explorations during their residency, examining the potential for balance in their ideas.