
塑膠從1930年代至今的100年間,融入了我們認知中的自然,成為人類存在的痕跡。
「漂浮地層計畫」試圖以收集台灣海邊的保麗龍廢棄物,並將其仿製成石頭做為計畫的起點,以地質的角度探索人類的痕跡。這件作品轉化保麗龍作為人工產物的形象,嘗試以脫離人類中心主義的角度來思考末世與未來的形貌。
Plastic has integrated into our perception of nature over the past 100 years since the 1930s, becoming a trace of human existence. The ‘Floating Stratum Project’ attempts to collect discarded polystyrene waste from Taiwan’s coastline and replicate it into stones as the starting point of the project, exploring traces of humanity from a geological perspective. This work transforms the image of polystyrene as an artificial product and seeks to contemplate the end of the world and the future from a non-anthropocentric viewpoint.
它輕巧地融入了風景裡
直到發現
水面上漂浮著的
不僅是島嶼

